
Margaret Qualley
Cast
- Born
- October 23, 1994 · Kalispell, Montana, USA
- Birth name
- Sarah Margaret Qualley
“I always wanted to be a dancer. That was the plan. Acting was the thing that happened accidentally.” With a background in ballet, trained at the North Carolina School of the Arts and the American Ballet Theatre, Margaret Qualley brings an unusual grace and physicality to her performances. Daughter of actress Andie MacDowell, she carved her own path through a series of nuanced and emotionally resonant roles. She gained critical attention as Jill Garvey in HBO’s "The Leftovers" (2014–2017), and further impressed with films like "Once Upon a Time in Hollywood" (2019), "Seberg" (2019), and "Sanctuary" (2022). Her raw, immersive portrayal of a struggling young mother in Netflix’s "Maid" (2021) earned her an Emmy nomination and solidified her as one of her generation’s most magnetic and unclassifiable actresses. Known for balancing vulnerability with unpredictable energy, Qualley’s characters often walk a tightrope between fragility and rebellion.

CHARACTERS THAT STRANGELY "REPRESENT" ME


A Spark in the Dark: Casefiles from Crooked City


Once Upon a Breakout in Hollywood


The Semiotics of Flesh: sex as simple fact | Honey Don’t!


Once Upon a Time… In Hollywood: An Offbeat Summer Classic


The Substance and It's Body Horror Has Set a New Bar For the Future of Cinema and Film Making


Is Poor Things a Classic?


Once Upon a Time... in Hollywood: The comedy of the stars of the past, present and future.


Drive-Away Dolls Left Me Unsatisfied


Nepo Babies: Scapegoats or Smoke Screens?


Coralie Fargeat: Body-Horror and the Consumer Society.


The Substance - Originally Unoriginal


My guilty pleasure: Bad teen horror movies


WTF did I just watch? (Drive Away Dolls)


The Substance: My 2024 WTF Movie


'The Substance' Ending Completely Ruined the Movie


THE SUBSTANCE: Beauty is Horror


What Scares Me Most in 'The Substance' Isn't Monstro Elisasue, But...


Hello, Operator? Yes, I have a problem… with myself


The Substance: Must Women Become Monsters to Defy the Male Gaze?
