Juliette Binoche

Juliette Binoche

Cast · Director · Writer

Born
March 9, 1964 · Paris, France

Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).

I wish I lived in these homes.

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AidanApril 1, 2026
6

Lazos de sangre que a veces son rutas de encuentro, a veces cadenas: La difícil convivencia con ell otro en Familia.

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Mis CinexperienciasFebruary 8, 2025
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From The English Patient to Odysseus and Penelope: A Tale of Love and Revenge

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seamouseDecember 1, 2024
2

Claire Denis' "High Life": A Bold Reimagination of Sci-Fi Through a Female Lens

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JamieLApril 10, 2024
0

"Both Sides of the Blade": The Twilight Love of the best actor and actress

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FilmX5January 6, 2023
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CENAS DESLEMBRADAS DE FILMES ESQUECIDOS - Capítulo 08

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Bruno WeberAugust 17, 2026
0

La seducción de lo siniestro | Damage (1992)

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La garraAugust 15, 2026
7

FICM: El debut como directora de Kristen Stewart, Juliette Binoche y Palestina.

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Mis CinexperienciasOctober 23, 2025
4

"El Regreso" (2024): Una Odisea con Ralph Fiennes y Juliette Binoche.

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Javier Gustavo BonafinaOctober 16, 2025
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Culpa, memoria y vigilancia: a 20 años de CACHÉ

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Andi DoinelSeptember 23, 2025
2

Amor, libertad y fraternidad: la trilogía Tres Colores de Kieslowski

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Agus López | RedAppleSeptember 1, 2025
1

La vida real que nos enseña Dan

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felixpachecocasAugust 28, 2025
2

La trilogía: Rojo, Blanco, Azul.

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Federico Minchaca SanjuanJune 5, 2025
10

Cópia Fiel (2010) - Como Kiarostami nos faz pensar diferente sobre os lobos extintos que “voltaram à vida”?

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PlongéeJune 4, 2025
0

A Liberdade É Azul (1993)

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PlongéeMay 30, 2025
0

Carta a los muertos, películas a los vivos - C'est pas moi (Leos Carax 2024)

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Leonardo Agustín AlíasMay 22, 2025
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Festival de Cannes: guía para entender cómo funciona, por qué es tan importante y qué esperar de esta edición 2025

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Camila DulceMay 14, 2025
5

Cine y Festivales "Cannes", con Fredy Friedlander - Butaca Crítica Episodio 2

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BUTACA CRITICA OFICIALMay 14, 2025
2

A fuego lento (Tran Anh Hung, 2023). Un ritual para los sentidos

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Guillermo A. ColantonioMay 12, 2025
7

"NÃO SOU EU" e "ALEGORIA URBANA" - O Olhar dos Deuses

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Bruno WeberMay 1, 2025
2