
Juliette Binoche
Cast · Director · Writer
- Born
- March 9, 1964 · Paris, France
Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).

I wish I lived in these homes.


Lazos de sangre que a veces son rutas de encuentro, a veces cadenas: La difícil convivencia con ell otro en Familia.


From The English Patient to Odysseus and Penelope: A Tale of Love and Revenge


Claire Denis' "High Life": A Bold Reimagination of Sci-Fi Through a Female Lens


"Both Sides of the Blade": The Twilight Love of the best actor and actress


CENAS DESLEMBRADAS DE FILMES ESQUECIDOS - Capítulo 08


La seducción de lo siniestro | Damage (1992)


FICM: El debut como directora de Kristen Stewart, Juliette Binoche y Palestina.


"El Regreso" (2024): Una Odisea con Ralph Fiennes y Juliette Binoche.


Culpa, memoria y vigilancia: a 20 años de CACHÉ


Amor, libertad y fraternidad: la trilogía Tres Colores de Kieslowski


La vida real que nos enseña Dan


La trilogía: Rojo, Blanco, Azul.


Cópia Fiel (2010) - Como Kiarostami nos faz pensar diferente sobre os lobos extintos que “voltaram à vida”?


A Liberdade É Azul (1993)


Carta a los muertos, películas a los vivos - C'est pas moi (Leos Carax 2024)


Festival de Cannes: guía para entender cómo funciona, por qué es tan importante y qué esperar de esta edición 2025


Cine y Festivales "Cannes", con Fredy Friedlander - Butaca Crítica Episodio 2


A fuego lento (Tran Anh Hung, 2023). Un ritual para los sentidos


"NÃO SOU EU" e "ALEGORIA URBANA" - O Olhar dos Deuses
