
Alejandro G. Iñárritu
Director · Writer · Cast
- Born
- August 15, 1963 · Mexico City, Distrito Federal, Mexico
“My cinema is an extension of myself. A sort of vital testimony of my life experience, with my few virtues and my many limitations.” Alejandro Iñárritu is a Mexican filmmaker, screenwriter and producer, very influential in postmodern cinema. He is known for his distinctive style that delves into themes such as the human condition, death, identity; and often does so through parallel stories that, although seemingly independent, are interconnected. In his youth, he traveled in search of experiences, returned to Mexico, and entered university to study Communication. Two years later, he abandoned his studies to dedicate himself fully to voice-over, and began his career working at WFM radio, which led him to success. In the 90's, after composing music for some Mexican films, he created the production company Z Films with the objective of writing, producing and directing. In 1995, he wrote and directed his first TV pilot, Detrás del dinero, and, years later, he made his film debut with Amores Perros (1999), the first of the Trilogy of Death, along with 21 Grams (2003) and Babel (2006). His filmmaking style is characterized by non-linear narratives, an intense use of the handheld camera, and a strong attention to visual and sound details. In 2010, he directed Biutiful, but it was with Birdman or (The Unexpected Virtue of Ignorance) (2014) that he achieved the greatest international recognition, winning four Oscars, including Best Picture and Best Director. The following year, he again won the Oscar for Best Director for The Revenant (2015), becoming one of the few filmmakers to win two years in a row. His contribution to cinema and art in general has established him as one of today's most respected creators.

The Color of Money is the color of Hollywood.


Character Beats Talent: The Future of Tom Cruise


Breaking Free from Expectations: 'Amores Perros'


DIGGER: Una película ignorada por decirte la cruda realidad.


DIGGER...sátira dolorosa y hasta incomprendida


El arte como remedio: DIGGER y su rebuscada genialidad


Crítica de "Digger": ¿Dónde está Alejandro González Iñárritu?


Asunto: 🎬 El día que Tom Cruise quiso un Oscar y salió el tiro por la culata


Digger: ¿Quién salva al hombre que quiere salvar al mundo?


O pueril e morno Digger: um filme de aparências


¡VIVA MÉXICO CABRON3S!


Entre la desmesura y la levedad: dos políticas del yo en el cine contemporáneo


Leonardo DI CAPRIO, uno de los MEJORES actores de la HISTORIA


The Color of Money: es el color de Hollywood


Amores perros, almas mexicanas


¿YA VISTE EL DESMADRE QUE ARMÓ ESTA PELÍCULA?: AMORES PERROS, LA CINTA QUE MARCÓ UNA GENERACIÓN EN MÉXICO


O plano-sequência como ferramenta narrativa.


Fotogramas Eternos: Secuencias que Se Graban en el Alma del Cine Latinoamericano


El Plano Secuencia de Los Niños del Hombre: La Obsesión Cinematográfica que Define a Alfonso Cuarón


Crítica en retrospectiva: "Y tu mamá también" (Alfonso Cuarón, 2001)
