Lynne Ramsay

Lynne Ramsay

Director · Writer · Cast

Born
December 5, 1969 · Glasgow, Strathclyde, Scotland, UK

"I think you can say so much about a character in lots of subtle ways.” Lynne Ramsay, Scottish filmmaker and screenwriter, is known for her ability to use silence as a powerful narrative resource, with films where every gesture and every shot hides an untold story. Since her debut with Ratcatcher (1999), she has pursued a career defined by exploring grief, guilt, and the aftermath of violence with a sensitivity that makes every frame a statement. Often adapting novels and short stories to the screen, Ramsay transforms them from the purely audiovisual, minimizing words and maximizing visual and sound impact, inviting the audience to fill in the blanks with their imaginations. Ramsay has directed acclaimed films such as We Need to Talk About Kevin (2011) and You Were Never Really Here (2017), which won the Best Screenplay award at the Cannes Film Festival. Her career has led her to important recognitions, such as being a jury member at the Cannes Film Festival in 2013 and at the Venice Film Festival in 2015. Through an emotionally devastating magical realism, Ramsay does not seek easy narratives or happy endings—her cinema is an invitation to look into the abyss and reveal the unsaid. With a unique determination, she allows the images to tell their own story, establishing herself as a filmmaker unafraid to let silence speak.

"Die, my love": why don't you like these kinds of films?

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HernisDecember 30, 2025
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Get your popcorn ready: 2025 looks promising

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The Sunshine ManJanuary 7, 2025
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Dior y A24, la nueva colaboración entre cine y moda

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Sofía Cruz 12September 10, 2026
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Crítica - Morra, Amor

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MauricioCominFebruary 2, 2026
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Crítica: Mátate, amor (Die My Love, Lynne Ramsay, 2025)

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Gabriel DumontDecember 28, 2025
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MORRA, AMOR e o experimento visual em detrimento da psique

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Gustavo JacondinoDecember 26, 2025
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Crítica: Morra,Amor - A Loucura Como Linguagem do Corpo Feminino

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Lucas CineDecember 16, 2025
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MÁTATE AMOR: Jennifer Lawrence muy bien, lo demás un caos

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Federico Minchaca SanjuanDecember 1, 2025
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Mátate, amor: la BRUTAL y SINCERA mirada a la MATERNIDAD que NO PODRÁS dejar pasar (aunque quieras)

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Santiago BuonasenaNovember 21, 2025
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Elementos clave de los nuevos valores del cine de terror.

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Mis CinexperienciasNovember 15, 2025
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Mátate, amor: el instinto animal como resistencia a la domesticación

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Lisardo QuevedoNovember 11, 2025
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Mucho trabajo y nada de diversión hacen de Grace una chica aburrida

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Jeroo CascoNovember 11, 2025
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¿Qué esperamos aún del 2025?

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Lu MoreiraNovember 1, 2025
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El estereotipo de lo femenino en el cine de terror hecho por mujeres

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Canela / La MonstruaOctober 31, 2025
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El Club de la Pelea ambientado en los grupos de apoyo online de la maternidad moderna..

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Franchesca A. Herrera PiñaAugust 6, 2025
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Cannes 2025: Nouvelle Vague, demônios e política

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O cinéfiloMay 23, 2025
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Cannes 2025: Nouvelle Vague, Demonios y Política

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Jeroo CascoMay 19, 2025
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¿Qué define el género al que pertenece una película? A propósito de Salve María (2024) de Mar Coll

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Canela / La MonstruaFebruary 15, 2025
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Prepara los pochoclos: El 2025 se ve prometedor

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Jeroo CascoJanuary 1, 2025
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Madre de Monstruos. M.O.M (2020) Tucia Lyman

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Canela / La MonstruaDecember 16, 2024
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