
Padre Madre Hermana Hermano (2025)★ 6.1/10
Father Mother Sister Brother
- Comedia
- Drama
Dirección: Jim Jarmusch
Guion: Jim Jarmusch
Tres historias conectadas siguen a hijos adultos que enfrentan vínculos tensos con sus padres y entre ellos en EE. UU., Irlanda y Francia.
Artículos sobre esto
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La importancia de Padre Madre Hermana Hermano
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Mishell_Patiño25 de mayo de 2026
1
La sociedad secreta de Jim Jarmusch
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Shadowandryu2 de mayo de 2026
0
Adultos, todavía hijos
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dolores paramio11 de abril de 2026
1
Jim Jarmusch: la incomodidad de volver a casa
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Jua Bruno4 de abril de 2026
1
Los estrenos de cine más esperados de fin de año
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Drinking Buddies25 de octubre de 2025
1
Guía del Festival de Venecia 2025
F

FerHerrera24 de julio de 2025
2Reparto y equipo
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Ver todo ›Premios · 1 premios, 0 nominaciones
Ver todo ›- GanadorVenice Film Festival 2025Golden Lion · Best Film
Reseñas
C
Carson Leigh13 de octubre de 2025
Carson Leigh13 de octubre de 2025"Can you toast with tea though?" -- There had been a running bit at VIFF for the odd Rolex ad and this movie has been the longest Rolex ad of them all. I liked the first two families (especially Adam Driver ♥️) but the third one dragged a lot. Why play the song from the beginning again if it isn't the end? Also, this may be a niche reference, but many moments felt like those awkward 'clue' cutscenes or moments from The Dark Pictures Anthology.
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StevenCsMovies13 de octubre de 2025
StevenCsMovies13 de octubre de 2025Who are/were our parents? This is the question that’s trying to be answered in three different ways in director Jim Jarmusch’s character dramedy FATHER MOTHER BROTHER SISTER. This movie features three different stories with similar themes of family. First, we have the Father (Tom Waits), who has his son (Adam Driver) and daughter (Mayim Bialik) for a very rare visit in New Jersey. This was my favorite of the three. Waits is hilarious. The second story is pretty similar. A mother (Charlotte Rampling) has her two daughters Timothea (Cate Blanchett) and Lilith (Vicky Krieps) over for their annual tea visit in Dublin. The final story has fraternal twins Skye (Indya Moore) and Billy (Luka Sabbat) go through their recently deceased parents in Paris. I enjoyed this movie. It’s very artistic, the highlight being the cinematography. It felt pretty special hearing Frederick Elmes, the co-cinematographer himself talk about this movie before it began. Anthology movies are hard to make, usually there’s one segment that’s weaker than the others. This is the case with this movie, but I’m not saying it’s bad. The quality is just uneven. I enjoyed the writing, especially the awkward dry humour and the specific similarities between the stories. It’s a pretty quiet movie, I don’t even think there’s a score. There are no dramatic moments or action. I can tell Jarmusch enjoys filming from inside cars. This might not be for everybody, but I definitely liked the unique triptych that is FATHER MOTHER SISTER BROTHER.





























